#AAC sticker debuts in bumbay!
Do I love my yiynova or do I love my yiynova? I can’t decide. @blaftness illos in progress
Yay! My #yiynova!
#Oils and instagram. Found some turpentine. I’m back to spamming with #studies and #sketchbook bits. And stuff and so on. And too much birds happen. Much too manies.
My cover for The New Yorker’s Journeys issue
“That it was a haystack the catalogue informed me. I could not recognize it. This non-recognition was painful to me. I considered that the painter had no right to paint indistinctly. I dully felt that the object of the painting was missing. And I noticed with surprise and confusion that the picture not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendour.”
— Wassily Kandinsky on Monet’s Haystacks
Adolf Wolfli
(via Juxtapoz)
Adolf Wölfli (February 29, 1864 – November 6, 1930) was a Swiss artist who was one of the first artists to be associated with the Art Brut or outsider art label.At the beginning of the twentieth century, Adolf Wölfli, a former farmhand and laborer, produced a monumental, 25,000-page illustrated narrative in Waldau, a mental asylum near Bern, Switzerland. Through a complex web of texts, drawings, collages and musical compositions, Wölfli constructed a new history of his childhood and a glorious future with its own personal mythology.
More UV
Some UV fun
(via Brain Pickings)
Yan Nascimbene’s illustrations of Italo Calvino Classics have been stuck in my head for the last few days. More of and about them here
#Bangalore #whycan’tDelhibelikethis
My shiro in a fish bowl #tekkonkinkreet #anshinAnshin #happymaking
